Liga Zon Sagres - V. Guimarães 0 vs F.C. do Porto 4 - Dragões aplicam Pocker a Vitorianos com Jackson a fazer Hat-trick!

«TOMADA DE POSSE

É muito futebol, que, de tão cuidado e sublime, chega a parecer surpreendentemente fácil… Em dois instantes decisivos, saltar mais alto (ou muito mais alto) chegou. No tempo restante, bastou jogar muito mais. Não surpreende, por isso, que o FC Porto chegue muito mais longe. Em Guimarães, ganhou o bicampeão, que foi muito mais forte. 4-0 diz quase tudo.

Isto não é posse, isto é possessão. Só pode! E um dos sintomas mais óbvios é o facto de o FC Porto revelar, a cada gesto, todos os indícios (até os estatísticos) de cuidar, envolver e preservar a bola como se ela fosse exclusiva e inteiramente sua. De corpo e alma, que é como quem diz desde o couro à câmara de ar.

Cada separação é assumidamente forçada e dolorosa, ao ponto de o bicampeão recuperar o sorriso apenas no reencontro ou em situações de afastamento verdadeiramente excepcional, como o golo. Neste caso particular de manifestação de posse, por vezes até exibicionista, o constrangimento é de terceiros ou, por outras palavras, do adversário, que ao intervalo mal tinha tocado na mais pretendida. O FC Porto não a largou durante 70 por cento do tempo.

Mas o líder não se limita a prendê-la. Antes da pausa para o intervalo, o FC Porto marcou por duas vezes, em duas réplicas semelhantes de uma prática de bons tratos: em dois cantos e duas cabeçadas, sempre com Moutinho a assistir, com Mangala e Jackson a finalizar. Cada um na sua vez, é claro.

Nada mudou depois do descanso, porque o FC Porto, se não tem bola… não descansa. Com ela, delicia-se e delicia. Não admitiu, por isso, a intromissão e as ousadias do Vitória, mesmo as mais inofensivas eaquelas que o desespero de causa justificaria com relativa facilidade. Impiedoso, o líder retomou os exercícios de sedução, especialmente claros no chapéu (hat-trick) que Jackson lhe tirou, ao completar três golos consecutivos no jogo e perfazendo 18 em 17 jornadas.

O encontro estava então ganho, ainda antes do fascínio do “poker” ter dominado o que restou da partida. Com o castelo tomado, o quarto golo do colombiano só não aconteceu por dois ou três acasos. Mas no processo de conquista entram muitos outros nomes, numa longa lista da qual emerge Fernando, exímio entre avanços e recuos.

FICHA DE JOGO

V. Guimarães-FC Porto, 0-4
Liga, 17.ª jornada
2 de Fevereiro de 2013
Estádio D. Afonso Henriques, em Guimarães
Assistência: 17.244 espectadores

Árbitro: Marco Ferreira (Madeira)
Assistentes: Cristóvão Moniz e Sérgio Serrão
Quarto árbitro: Pedro Campos

V. GUIMARÃES: Douglas; Alex, Freire, Paulo Oliveira e Addy; Tiago Rodrigues e Siaka Bamba; Ricardo, Barrientos e Marco Matias; Amido Baldé
Substituições: Barrientos por Crivellaro (61m), Alex por André (61m) e Ricardo por Machis (80m)
Não utilizados: André Pereira, João Ribeiro, Jona e Josué
Treinador: Rui Vitória

FC PORTO: Helton; Danilo, Otamendi, Mangala e Alex Sandro; Fernando, João Moutinho e Lucho (cap.); Varela, Jackson e Izmaylov
Substituições: Lucho por Castro (70m) e Izmaylov por Sebá (70m) e João Moutinho por Liedson (76m)
Não utilizados: Fabiano, Maicon, Abdoulaye e Tozé
Treinador: Vítor Pereira

Ao intervalo: 0-2
Golos: Mangala (14m) e Jackson (36m, 56m e 72m)
Cartão amarelo: Varela (9m), Alex (35m), Barrientos (40m), Otamendi (65m)» in http://www.fcporto.pt/Noticias/Futebol/noticiafutebol_futguimaraesfcpcro_020213_73604.asp

2013.02.02 (20h30) - V. Guimaraes 0-4 FC Porto

F.C. do Porto Andebol: ISMAI 31 vs F.C. do Porto Vitalis 36 - Dragões apurados para os quartos de final da taça de Portugal ao vencerem na Maia!

«DRAGÕES NOS “QUARTOS” DA TAÇA

O FC Porto Vitalis derrotou este sábado o ISMAI, do Andebol 2, no Pavilhão Municipal da Maia, por 36-31, em encontro dos oitavos-de-final da Taça de Portugal, e está assim apurado para a próxima fase da prova. Ricardo Moreira e Gilberto Duarte foram os melhores marcadores portistas, com seis golos.

A equipa orientada por Ljubomir Obradovic alinhou e marcou da seguinte forma: Hugo Laurentino (g.r.) e Alfredo Quintana (g.r.); João Ramos (4), Gilberto Duarte (6), João Ferraz (3), Filipe Mota (1), Belmiro Alves (2), Pedro Spínola (1), Daymaro Salina (4), Tiago Rocha (5), Ricardo Moreira (6) Elias Nogueira (1), Sérgio Rola e Wilson Davyes (3).» in http://www.fcporto.pt/OutrasModalidades/Andebol/Noticias/noticiaandebol_andismaifcp_020213_73596.asp

Cidade de Felgueiras - A Cooperativa de Felgueiras foi a adega da região dos vinhos verdes que maior quantidade de uvas recebeu na campanha de vindimas de 2012, ultrapassando os quatro milhões de litros, disse à Lusa fonte da instituição!

«Adega de Felgueiras foi a que mais uvas recebeu em 2012 na região dos "verdes"

A Cooperativa de Felgueiras foi a adega da região dos vinhos verdes que maior quantidade de uvas recebeu na campanha de vindimas de 2012, ultrapassando os quatro milhões de litros, disse à Lusa fonte da instituição.

Rui Pinto, director da cooperativa, adiantou que foi também possível, no ano passado, aumentar em cerca de 30 o número de fornecedores.

"Mais de 700 produtores entregaram as uvas na nossa adega. Por isso, foi um ano excelente para nós", afirmou, destacando o carácter regional dos fornecedores.

O crescimento no número de produtores ocorreu sobretudo junto de viticultores de concelhos vizinhos, como Fafe, Amarante, Guimarães, Lousada e Celorico de Basto, entre outros.

Rui Pinto admite que esse crescimento se deveu ao preço que a cooperativa está a pagar aos associados, por quilo de uva, que aumentou cerca de 15% em relação a 2011.

O director da cooperativa explica que "o esforço de pagar melhor" atraiu mais produtores, o que acabou por compensar o facto de 2012, por razões meteorológicas, ter sido um ano com menos produção do que em 2011.

Na região dos vinhos verdes, a quebra de produção média foi de 25%, mas na adega de Felgueiras, sublinha o responsável da cooperativa, "a redução foi de apenas 8%".

"Apesar da ligeira quebra quantitativa, não nos podemos queixar da qualidade, porque temos vinho com boa aceitação no mercado", observou.

Rui Pinto revela que a instituição já garantiu, através de contratualização, o escoamento de 2,5 milhões de litros de vinho, prevendo que o restante "será vendido sem grande dificuldade" nos próximos meses. Além disso, 2012 foi um ano de crescimento nas vendas directas, em garrafa, com um crescimento de 20%.

O sucesso no escoamento do produto, acrescentou, tem garantido à adega pagar aos associados nos prazos previstos. Em Dezembro, a instituição liquidou 700.000 euros, o que representa cerca de metade do valor devido aos produtores. Até Junho, a adega liquidará o valor restante, prometeu Rui Pinto.

Cerca de metade da facturação da Cooperativa Agrícola de Felgueiras decorre do negócio do vinho. O restante volume tem a ver com as vendas de produtos frutícolas, destacando-se os kiwis.

No ano passado, a instituição vendeu mais de 800 toneladas daquele fruto, prevendo-se que aquele volume cresça nos próximos anos à medida que vão entrando em produção, no Vale do Sousa, novos investimentos no sector. Cerca de 40 por cento da produção de 2012 já foi escoada.

Segundo Rui Pinto, Felgueiras é o único dos cinco entrepostos portugueses de kiwi com certificação nacional de qualidade, um factor que atrai cada vez mais a preferência dos produtores daquele fruto.» in http://www.agroportal.pt/x/agronoticias/2013/02/02e.htm



(Novo vinho verde “Picoto” apresentado em Penafiel)

F.C. do Porto Sub-17 Futebol: Académica de Coimbra 0 vs F.C. do Porto 2 - Dragões vencem estudantes, mantendo-se na frente!

«SUB 17 GANHAM EM COIMBRA

A equipa de Sub 17 do FC Porto foi vencer este sábado a Académica de Coimbra, por 2-0, em jogo da 2.ª jornada da segunda fase do campeonato nacional de Juniores B.

Um golo em cada parte, apontados por Rui Moreira e Schuster, concretizaram o domínio do FC Porto, que controlou toda a partida e criou diversas oportunidades de golo.

Esta foi a segunda vitória dos jovens Dragões, em outros tantos jogos, liderando a classificação, com seis pontos.» in http://www.fcporto.pt/Noticias/Formacao/noticiaformacao_futsub17academicafcp_020213_73592.asp

Amarante - Dois jovens bombeiros de Vila Meã, em Amarante, ajudaram a um parto numa ambulância, em plena A4, ontem de manhã!

«Dois jovens bombeiros de Vila Meã, Amarante, tiveram de ajudar num parto na autoestrada

Nasce em ambulância na A4.

Dois jovens bombeiros de Vila Meã, em Amarante, ajudaram a um parto numa ambulância, em plena A4, ontem de manhã.

José André, de 22 anos, e Pedro Carvalho, de 26, foram chamados pelas 06h15, para assistir uma mulher, de Real, no mesmo concelho. 

Quando chegaram, encontraram-na em trabalho de parto, acionaram uma ambulância de Suporte Imediato de Vida (SIV) de Amarante e seguiram para o Hospital de Penafiel. 

Contudo, tiveram de parar a ambulância e ajudar no parto do bebé. "É inexplicável o que se sente. Já estou pronto para outro", disse Pedro Carvalho. Mãe e filho estão bem de saúde.» in http://www.cmjornal.xl.pt/noticia.aspx?contentID=6360DEF5-6BD1-44A3-A3EA-CFD283A539FF&channelID=00000010-0000-0000-0000-000000000010

Política Internacional - A Comissão Europeia deverá lançar, no decorrer do mês de Fevereiro, um processo de infracção contra Portugal devido à não aplicação de uma directiva comunitária sobre normas mínimas de protecção de suínos!

«UE preocupada com bem-estar dos porcos portugueses

Portugal continua na mira da Comissão Europeia devido às falhas na protecção do bem-estar dos animais. Depois das galinhas poedeiras, chegou a vez dos porcos.

A Comissão Europeia deverá lançar, no decorrer do mês de Fevereiro, um processo de infracção contra Portugal devido à não aplicação de uma directiva comunitária sobre normas mínimas de protecção de suínos.

Apesar de terem sido dados 12 anos para sintonizar as legislações e as realidades nacionais com as novas regras europeias, em Portugal apenas 58% das suiniculturas respeitam as condições impostas para a manutenção das chamadas porcas parideiras, em explorações com mais de dez animais.
Aprovada em 2001, a directiva “relativa às normas mínimas de protecção de suínos” previa uma série de derrogações para a implementação das novas condições, as últimas das quais terminaram no dia 1 de Janeiro de 2013. Neste momento há outros 16 países “fora da lei”, mas Portugal tem de longe a taxa mais baixa de explorações em linha com as novas exigências.

O assunto foi discutido, na última segunda-feira, pelos ministros da Agricultura dos “27”, perante os quais o comissário europeu responsável pela saúde e defesa do consumidor avisou que Bruxelas “já adoptou os passos preliminares” para o lançamento dos processos de infracção contra os países que não implementaram a directiva. Fonte comunitária confirmou entretanto à Renascença que estes processos “vão mesmo avançar em Fevereiro”.

Além disso, a Comissão Europeia quer que os governos dos países em causa pressionem os produtores a corrigir a situação, nomeadamente através do recurso a “sanções dissuasoras” a quem não se encontre em conformidade com as novas regras.

Em nome do bem-estar animal, a União Europeia (UE) adoptou em 2001 uma directiva que obriga os países a melhorar consideravelmente as condições em que os suínos são criados. No caso das porcas parideiras, além de proibir o seu isolamento, a directiva impõe espaços com dimensões mínimas e requisitos específicos para o revestimento do solo.» in http://rr.sapo.pt/informacao_detalhe.aspx?fid=25&did=95200
-------------------------------------------------------------------------------------
Com o devido respeito aos animais, acho que Bruxelas deveria estar mais preocupada, com os Portugueses...


(Record Rural - Conheça a criação de porcos caipira no sistema extensivo)

AMARANTE – Com o objetivo de ser dada continuidade à intervenção social iniciada com o Projeto_Percursos Integrados (Programa Escolhas), o qual não viu contemplada a sua renovação, a Câmara Municipal de Amarante decidiu assumir esta responsabilidade social, em parceria com a Santa Casa da Misericórdia!

«Câmara e Misericórdia juntas em projeto de intervenção comunitária em bairros sociais

AMARANTE – Com o objetivo de ser dada continuidade à intervenção social iniciada com o Projeto_Percursos Integrados (Programa Escolhas), o qual não viu contemplada a sua renovação, a Câmara Municipal de Amarante decidiu assumir esta responsabilidade social, em parceria com a Santa Casa da Misericórdia.

O projeto de intervenção nos bairros pretende incidir em vários domínios complementares: 

(1) ao nível da educação formal e não formal, tendo como objetivo primordial promover o sucesso socioeducativo e cultural, compreendendo o sucesso educativo não só ao nível do desempenho escolar (positivo) mas também pelo desenvolvimento de comportamentos socialmente ajustados. Será entendido como insucesso socioeducativo qualquer criança/jovem que incorpore, em maior ou menor grau, as seguintes problemáticas: dificuldades de aprendizagem, retenções reiteradas, atraso no desenvolvimento cognitivo, conflitos familiares, estilos educativos autoritários ou a origem social/territorial da criança/jovem condicionadora de um projeto socioeducativo positivo por ausência de oportunidades reais, comportamentos desviantes (consumos e ao nível dos afetos e sexualidade).

Desta forma, incidirá a sua ação nas competências sociais e pessoais das crianças/jovens, com o objetivo de prevenir e/ou diminuir os consumos e todo o tipo de atos de violência, estabelecendo parceria com as forças de segurança.

(2) Ao nível das competências parenteais, através do desenvolvimento de atividades que promovam uma maior responsabilização parental nas suas diversas vertentes.

(3) Ao nível da empregabilidade e empreendedorismo, pretende-se orientar e capacitar os jovens e família em situação de desemprego para a procura ativa de emprego ou promoção do auto emprego.

(4) A nível comunitário, em complementaridade com o serviço de habitação social do município, dar continuidade às ações direcionadas para a organização dos moradores e que visem (re)estabelecer as redes de sociabilidade, melhorar as relações de vizinhança e a responsabilidade individual/comunitária e combater os estereótipos que possam estar associados aos bairros.

Ainda neste âmbito, pretende-se fomentar o diálogo intergeracional e a igualdade de género, através do desenvolvimento de serviços de apoio aos idosos nos bairros, promovidos pelos agregados mais jovens e através de ações que visem o respeito ao nível do género.

(5) De forma transversal a todos estes objetivos, realizar-se-ão as ações/atividades ao nível das TIC (Tecnologias de Informação e Comunicação), que terão por objetivo apoiar as crianças e jovens nos seus processos de aprendizagem, fomentando a infoinclusão, acompanhadas de atividades lúdicas e pedagógicas e de ações de formação com caráter mais formal que permitirão aumentar as competências ao nível da empregabilidade e apoiar na conceção de projetos no âmbito do empreendedorismo.

É também a partir das TIC que se promoverá um conjunto de atividades destinadas à promoção da igualdade de género e a valorização intergeracional.

Projeto terá a duração de 11 meses

O Projeto_Percursos Integrados (PPI) terá a duração de 11 meses, entre fevereiro e dezembro de 2013. Funcionará de segunda a sábado, onde será desenvolvido um conjunto de ações/atividades direcionadas para as crianças/jovens, pais e idosos residentes nestas urbanizações, nomeadamente explicações, métodos de estudo para as crianças/jovens e pais, dança, teatro, desporto/capoeira, artes plásticas, colónia de férias, acompanhamento psicossocial, formação em TIC para a aprendizagem e empregabilidade e intercâmbios intergeracionais com a Santa Casa da Misericórdia e iniciativas para a organização dos moradores.

O projeto conta com a contratação de um/a animador/a social, um/a psicólogo/a e um/a monitor/a de informática e com a colaboração dos técnicos do serviço de habitação social e da Santa Casa da Misericórdia.» in http://local.pt/camara-e-misericordia-juntas-em-projeto-de-intervencao-comunitaria-em-bairros-sociais/

Música Pop/Rock - The Shadows uma grande Banda Britânica dos Anos 70!

THE SHADOWS - "Cavatina" - (1979)


Shadows - "Apache" - (The Final Tour) 


The Shadows - "Johnny Guitar"



The Shadows - "Time Is Tight" - (with Freddie Starr)


The Shadows - "Equinoxe V" 


The Shadows - "Walk Don't Run" - (Live) 


THE SHADOWS - "Sailing"
«The Shadows
From Wikipedia, the free encyclopedia
For other uses of the term Shadows, see Shadow (disambiguation).
The Shadows

The Shadows in 2009 at the MEN Arena, Manchester, from left to right: (Warren Bennett), Bruce Welch, (Mark Griffiths), Brian Bennett and Hank Marvin
Background information
Origin Cheshunt, Hertfordshire, England
Genres Rock and roll, instrumental rock
Years active 1958–1990,
2004-present
Labels Columbia (EMI), Polydor, Universal
Associated acts Cliff Richard, Marvin, Welch & Farrar, Olivia Newton-John
Website www.theshadowsofficial.com
Members
Hank Marvin
Bruce Welch
Brian Bennett
Past members
Jet Harris
Tony Meehan
Brian Locking
John Rostill
Alan Hawkshaw
John Farrar
The Drifters
Ken Pavey
Norman Mitcham
Ian Samwell
Terry Smart

The Shadows are a British pop group with a total of 69 UK hit-charted singles: 35 as 'The Shadows' and 34 as 'Cliff Richard and the Shadows', from the 1950s to the 2000s. Cliff Richard in casual conversation with the British rock press frequently refers to the Shadows by their nickname, 'The Shads'.

The Shadows were also successful in the British EP charts that were compiled by several different publications during the 1960s based on sales statistics from a limited number of retailers around the country. The Shadows and Cliff Richard & the Shadows each had four No.1 selling EPs.

According to British Hit Singles & Albums (19th edition), the Shadows are the third most successful UK charted hit-singles act, behind Elvis Presley and Cliff Richard.

Pioneers of the four-member rock-group format (consisting of lead guitar, rhythm guitar, bass guitar and drums) in the UK, the group enjoyed a second spell of success and interest in their music from the late seventies until disbandment in 1990. Their unique guitar sound was originally produced by a combination of American Fender guitars, British amplifiers made by Vox and echo units Meazzi Echomatic tape and Binson magnetic disc.[citation needed]
With singer Cliff Richard, the Shadows dominated the British popular music scene in the late 1950s and early 1960s (i.e. the five-year "Before-Beatles" period: 1958–1962), before The Beatles' first full year in the charts in 1963.

John Lennon once claimed that "before Cliff and the Shadows, there had been nothing worth listening to in British music." As the first backing band to emerge as stars in their own right, they were early trailblazers for the beat-group boom that eclipsed them. – The Times 30 November 2005.[1]

Contents  [hide] 

1 Overview
2 History
2.1 1960s
2.2 1970s
2.3 1980s
2.4 1990s
2.5 2000s
2.6 2010s
3 Style and image
3.1 Band logo
3.2 The Shadows' 'walk'
3.3 Stage names
4 Legacy and influence
5 Concert tours/gigs
6 Discography
7 Members of The Shadows, MW&F and Hank Marvin solo
8 References
9 Further reading
10 External links

[edit]Overview

The Shadows were formed from members of several late 1950s UK skiffle groups: the Newcastle-based "Railroaders" (and also The Five Chesternuts on Columbia Records) who supplied Hank Marvin and Bruce Welch, both inspired by US pop music; and The Vipers Skiffle Group (on Parlophone records) who supplied Jet Harris and Tony Meehan from London, both inspired by UK jazz–skiffle music. The Shadows, although originally the live and recording backing band for Cliff Richard, were later marketed as an instrumental combo, following their explosive chart success with the Jerry Lordan composition "Apache." In the US and Canada, they were briefly marketed as a 'surf' group with two special compilation albums on Atlantic records, The Shadows Know and Surfing with The Shadows, to compete with The Ventures and The Surfaris. Although both these albums failed to chart in America, the band had hits worldwide.[citation needed]

The group was created in 1958 out of Cliff Richard's urgent need for a set of permanent backing musicians, after the success of his "Move It" single, which had been recorded with a mixture of his own "The Five Chesternuts" (later "The Drifters") electrified skiffle group, plus session players. According to Norrie Paramor, their first producer, the Shadows' first studio album was dogged throughout its creation by clashes within the band. Harris and Meehan eventually recorded under their own names for Decca Records after, first Meehan and then Harris, left The Shadows following clashes. Meehan was replaced by ex-Krew Kats drummer Brian Bennett, Harris by bassist Brian ("Licorice") Locking, and later John Rostill who stayed with them until the late 60s.[citation needed]

The Shadows disbanded in 1968 but Marvin and Welch subsequently formed a vocal–guitar trio Marvin Welch & Farrar. Because of low sales and fans demanding Shadows numbers at MW&F gigs, The Shadows reformed in 1973 with Brian Bennett as a full member and various extra musicians. The group permanently disbanded in 1990 but temporarily reformed in 2004-05 for a UK and European tour (the reunion being instigated in 2001 by Roger Field, a guitarist friend of Hank Marvin),[2][3][4][5] and again during 2008–10 to tour with Cliff Richard.
[edit]History

Formed as a backing band for Cliff Richard, under the name The Drifters, the members were founder Ken Pavey (born 1932), Terry Smart on drums (born 1942), Norman Mitham on guitar (born 1941), Ian Samwell on guitar and Harry Webb (before he became Cliff Richard) on guitar and vocals. The original Drifters had no bass player. Samwell wrote the group's first hit, "Move It", which is often mistakenly attributed to "Cliff Richard and The Shadows." Two session players, guitarist Ernie Shear and bassist Frank Clark, played on the "Move It" / "Schoolboy Crush" single on producer Norrie Paramor's insistence to ensure a strong sound.[citation needed]

The Drifters signed for Jack Good's Oh Boy! television series. Paramor of EMI signed Richard, and asked Johnny Foster to recruit a better guitarist. Foster went back to Soho's 2i's coffee bar (famed for musical talent performing there, particularly in skiffle) in search of guitarist Tony Sheridan. Sheridan was not there but Foster's attention was caught by another musician, who played guitar well and had on Buddy Holly glasses.[citation needed]

Hank Marvin had played in a school skiffle band with Bruce Welch. The pair had travelled from Newcastle and were surviving on little money. Foster offered Marvin the job, and he accepted on condition that Welch also join. New manager Franklin Boyd could see the pair worked well and they were employed as lead and rhythm guitarists. Ian Samwell was moved to bass until he was replaced by the Most Brothers' bass guitarist, Jet Harris. Drummer Terry Smart left shortly afterwards and was replaced at Harris's suggestion by Tony Meehan. The Drifters' professional lineup now complete, became The Shadows in early 1959 to avoid confusion with the contemporary American R&B vocal group The Drifters. None of the original UK Drifters were in the group when they became The Shadows. Foster continued for a time as Richard's manager, and Samwell wrote additional songs for The Drifters and The Shadows before writing and producing for others. Meehan recalled that Richard, backed by Marvin, Welch, Harris and himself had played together a year beforehand at least once at the 2i's.[citation needed]
The group started recording and performing with Richard and released two singles in their own right in 1959 ("Feelin' Fine"/"Don't Be A Fool With Love") and ("Jet Black"/"Driftin'"). The first two tracks were vocals and the second pair instrumental. Neither charted. A further (vocal) ("Saturday Dance"/"Lonesome Fella") also failed. The instrumental "Chinchilla" was included on a four-track soundtrack EP by Cliff Richard and the Drifters called Serious Charge released in early 1959 with the film of the same name.[citation needed]

In the spring of the same year the US soul group The Drifters threatened legal action against the British group 'The Drifters' after the release and subsequent immediate withdrawal of the "Feelin Fine" single in the US. The second single "Jet Black" was released in the US under the name 'The Four Jets' as a temporary move to avoid further legal aggravation but a new band name was becoming a matter of urgency if they were to progress. The new band name The Shadows was invented by Jet Harris (apparently unaware of Bobby Vee's backing group) while he and Marvin were relaxing at the Six Bells pub in Ruislip in July 1959.[citation needed]
From "The Story of The Shadows"...with a combination of the American situation, Cliff Richard's runaway success (Living Doll had by now sold over a million copies in Britain alone) and a bit of nudging from Norrie Paramor, we set about finding a permanent name, which arrived out of the blue one summer's day in July 1959 (maybe the 19th.) When Hank Marvin and Jet Harris took off to their scooters up to the Six Bells pub at Ruislip. Jet hit upon a name straight away. 'What about the Shadows?' The lad was a genius! So we became the Shadows for the first time on Cliff's sixth single "Travellin' Light".[6]

[edit]1960s

Cliff Richard and The Shadows in 1962

In 1960, the band released "Apache," an instrumental by Jerry Lordan, which topped the charts for five weeks. Further hits followed, notably "Wonderful Land", another Lordan composition with orchestral backing, at the top of the charts longer than "Apache" (8 weeks). This, and "Kon Tiki" six months earlier, reached number one. The Shadows played on more chart-toppers as Richard's band. This group, referred to subsequently as "The Original Shadows," had seven hits.

In October 1961 Meehan was replaced by Brian Bennett and in April 1962 Harris was replaced by Brian Locking, also known as Licorice. Bennett and Licorice were friends from the 2I's who had both previously been in Marty Wilde's backing group The Wildcats who also recorded instrumentals as The Krew Kats. This Shadows line-up also produced seven hits, two of which, "Dance On" and "Foot Tapper" topped the charts. The Marvin-Welch-Bennett-Locking line-up lasted 18 months. In October 1963 Locking left to spend more time as a Jehovah's Witness. The band had met John Rostill on tour with other bands and had been impressed by his playing, so they invited him to take over. This final and longest-lasting lineup was also the most innovative as they tried different guitars and developed a wider range of styles and higher musicianship. They produced impressive albums but the chart positions of singles began to ease. The line-up had ten hits but the most successful, "The Rise and Fall of Flingel Bunt," was also the first of those ten.[citation needed]

During the 1960s the group appeared with Cliff Richard in the films The Young Ones, Summer Holiday, Wonderful Life, Finders Keepers and as marionettes in the Gerry Anderson film Thunderbirds Are GO. They starred in a short humorous B-movie film called Rhythm 'n Greens which became the basis of a music book and an "EP." They appeared on stage in pantomime. Aladdin and his Wonderful Lamp was in 1964 at the London Palladium with Arthur Askey as Widow Twankey, Richard as Aladdin, and The Shadows as Wishee, Washee, Noshee and Toshee. Cinderella at the Palladium in 1966 featured Richard as Buttons and The Shadows as the Broker's Men, The film and stage roles allowed the group to develop as songwriters. They wrote only a few songs for the earliest film, 1961's The Young Ones, but by Finders Keepers in 1966 almost the entire soundtrack was credited to Marvin-Welch-Bennett-Rostill. In 1967 The Shadows used Olivia Newton-John to feature on one track The Day I Met Marie on their album From Hank Bruce Brian and John (SX6199/SCX6199).

The line-up split in December 1968, after the tenth anniversary album Established 1958, a mixture of tracks (7 plus 7) with Richard, and instrumentals featuring just The Shadows. All were written by the group. Welch left. This was almost the end, although an album (Shades of Rock) in 1970 and a tour of Japan in 1969 followed with Alan Hawkshaw on keyboards; in Marvin's words, they did it 'for the Yen.' The live LP of the tour features a long version of "Slaughter on Tenth Avenue" in which Marvin plays acoustic and electric guitar.[citation needed]

[edit]1970s

The group began 1970 by appearing on the BBC's highly rated review of the sixties music scene Pop Go The Sixties, performing "Apache" and backing Cliff Richard for "Bachelor Boy," live on the show broadcast across Europe and BBC1, on 31 December 1969. This was followed by Hank and a reconstituted Shadows becoming the resident guests on Cliff Richard's debut TV series for the BBC, It's Cliff Richard!. During the early 1970s, Marvin and Welch had a second career as vocal group Marvin Welch & Farrar with Australian John Farrar as third vocalist. Farrar provided a distinctive, high falsetto vocal style and skill as an arranger. They recorded two acclaimed albums and several singles and, without Welch, a third album Marvin and Farrar. Live performances were hampered by audiences expecting the Shadows' greatest hits. Marvin said (interviewed in Guitar Greats by John Tobler), "In the Batley Variety Club we walked off stage to the sound of our own footsteps!"

The Shadows reformed in 1973 with Welch on rhythm guitar and Farrar on guitar and vocals. Following the death of John Rostill, the group booked session bassists for recordings and tours. Dave Richmond and Alan Tarney, who had each provided bass for Marvin, Welch & Farrar, continued for the reformed Shadows. An album, Rockin' with Curly Leads featured Marvin using contemporary guitar fuzz effects to modify his sound. Some tracks used Farrar as second lead guitarist, giving this album a very different sound from previous recordings.[citation needed]

The group were chosen by BBC Head of Light Entertainment Bill Cotton to perform the Song for Europe in the 1975 Eurovision Song Contest. The Shadows recorded six options, seen each week on a weekly television show It's Lulu, televised on BBC1 and hosted by Lulu, a former Eurovision winner herself. Unusually for the format, instead of presenting each song live in the studio on a weekly basis and then presenting all six songs consecutively in a 'special' edition on week seven, the group pre-taped all six performances separately in the TV studio, before the series itself began, with the video then being cut into the weekly show. For the presentation of the songs on week seven and the announcement of the result on week eight, the pre-recorded performances were run again. Two of the songs ("No, No Nina" and "This House Runs On Sunshine") were co-penned by members of the group themselves. The public however voted for "Let Me Be The One," composed by Paul Curtis, to go to the Eurovision final in Stockholm. There, the group came second to the Dutch entry, Teach-In's "Ding-A-Dong". Having long since stepped out of Cliff Richard’s ‘shadow’, this was a rare excursion into lyrics for a band better known for instrumentals (however they had cut vocal tracks on most albums, plus some singles 'B' sides, and had two charting vocal singles in the sixties). Bruce Welch had lead vocal duties, and let the world know when he forgot a couple of words when he turned to his colleagues and said “I knew it” in range of his microphone. Author and historian John Kennedy O'Connor notes in The Eurovision Song Contest – The Official History that they were not a popular choice to represent the UK and the viewers' postal vote was the lowest recorded in the 'Song For Europe' history.[7] But the contest re-established The Shadows and the single climbed to number 12 in the UK charts. An album of new material, including both vocal and instrumental tracks Specs Appeal was released to coincide with their Eurovision appearance.[citation needed]

In 1976 EMI released a compilation album of recordings from 1962 to 1970: Rarities with sleeve notes written by John Friesen. The first half of the album was by The Shadows and the second half was from Hank Marvin's solo career.

Following the rare vocal single 'It'll Be Me, Babe' (written and sung by Marvin & Farrar) John Farrar departed the band that year, quite amicably relocating to the USA to successfully Produce Olivia Newton-John. Among her hits Farrar would write 'You're The One That I Want' (covered by The Shadows in 1979) for Olivia & John Travolta for the film 'Grease'.
The packaging of the group's greatest hits in Twenty Golden Greats by EMI in 1977 prompted the group to reform yet again for a tour featuring Francis Monkman from Sky on keyboards, leading to a number one album. Francis left after that tour and the line-up settled as Marvin, Welch and Bennett, supplemented on records and gigs by Cliff Hall (keyboards) and Alan Jones (bass).

In 1979 they initially recorded their version of Cavatina which became another hit single and then they recorded ten more tracks (with Alan Jones on Bass) for the String of Hits album on EMI which topped the album charts causing EMI to moot a follow up compilation album akin to a 'String of Hits-volume 2' with 13 old (including a Hank Marvin solo track), and one unreleased tracks culled from albums previously released in 1967, 1969, 1970, 1973, 1975 and 1977 of various cover versions of hit singles which was eventually released as Another String of Hot Hits in 1980.

[edit]1980s

The Shadows Live At Abbey Road

The group performed and recorded until 1990, with most of their 1980s albums performing well in the charts. With the exception of Guardian Angel, an album of almost 100% new material, most of 1980s albums featured covers of pop songs, with little original material. The group moved in 1980 from EMI to Polydor with Change of Address (followed by Hits Right Up Your Street in 1981, Life In The Jungle in 1982). EMI would not agree to a tape leasing scheme, whereby the group would retain copyright of recordings, but the company would be licensed to publish them for individual albums. This resulted in the group re-recording much of its catalogue of 1960s EMI hits for Polydor with the 1989 album At Their Very Best. The recordings were made using analogue equipment but digitally mastered, with instruments, amplifiers, and arrangements close to the original recordings. This has allowed the group to package and market their own compilation albums, featuring old hits as well as new.[citation needed]

[edit]1990s

In the 1990s all albums were reissued as Compact Discs by EMI and Polydor.

[edit]2000s

In December 2004 The Shadows were each awarded the Order of the British Empire (OBE) but Hank Marvin declined his.

The Shadows 2009 Brussels

The group reformed in 2004 to mount a farewell tour, and they recorded a new track, "Life Story," (written by the late Jerry Lordan) to accompany a new greatest hits package of the same name which featured '80s re-recordings of all their 1960s and 1970s hits. This opportunity to see Marvin, Welch and Bennett, joined on keyboards by Cliff Hall and on bass by Mark Griffiths, was so successful that they extended the tour to Europe in 2005. The line-up was almost the same, but Warren Bennett, son of Brian, came in on keyboards instead of Hall. On 27 November 2008, a concert tour, with Cliff Richard, for 2009 was announced.[8] On 11 December 2008, Cliff Richard and the Shadows performed at the Royal Variety Performance at the same time announcing their forthcoming 50th anniversary tour. The tour commenced in September 2009 with 36 shows throughout the UK and Europe and extended to Australia, New Zealand and South Africa in 2010.

[edit]2010s

The Final Tour was reissued on the Blu-ray format by Eagle Records in 2010.
[edit]Style and image

What's the most distinctive sound of our group? We often wondered what it is ourselves. Really, it is the sound we had when we recorded "Apache" - that kind of Hawaiian sounding lead guitar ... plus the beat.
NME - September 1963[9]

[edit]Band logo

As pioneers in British rock-music The Shadows and their management were naïve in terms of exploiting commercial opportunities such as self-promotion via artwork. They allowed Vox amplification to produce small metallic badges, using an italicised Tahoma type font, with the group name to be positioned on the front bottom right corner of all three Vox cabinets sometime during the early 1960s for gig usage. This badge became the "default" band logo but was never commercially exploited by the group.

Unlike later groups such as The Beatles, The Shadows never used the logo on the front of the bass-drum, preferring to allow their two drummers, Tony Meehan and Brian Bennett, to use their names instead. Belatedly, the logo was used once on the front artwork of the 1975 original studio album, Specs Appeal. As of 2009, the logo still remains untrademarked and uncopyrighted.

In lieu of proper band logo instead four silhouettes of the original line up, in ascending order of height, were used as a pseudo-band logo on concert program covers and various artwork projects such as sheet music, EP and album covers. From left to right after the drum-kit there was Tony Meehan, Jet Harris, Hank Marvin, Bruce Welch. The original artwork group silhouette was modified each time a band member was changed. The last version of the Shadows group-silhouette featured Brian Bennett and John Rostill in the late 1960s. During the 1970s EMI dropped the use of the group silhouettes preferring to use silhouettes or light-induced shadows of three guitar necks or color photos of the Shadows for promotion. During the latter half of the 1980s Polydor records used a red Fender Stratocaster (with white scratch plate) guitar as a symbol for the Shadows.

[edit]The Shadows' 'walk'

In 1958 Bruce Welch went to see a concert as part of the ill-fated 1958 Jerry Lee Lewis tour of the UK of which he later said:

On the show was this black American band called The Treniers. Hank Marvin and I were at the back, and we were really impressed at the way the sax players moved in unison, taken, I suppose, from the Glenn Miller days. It looked fantastic and we thought, "We must do something like that because it looks so interesting from the front."[10]

The Shadows developed a number of movement sequences using their bodies and guitars in tempo with the music played, such as the 'walk'. As seen on BBC's Top of the Pops this 'walk' has been copied by numerous groups as part of their TOTP presentation e.g. Mud, The Rubettes, Showaddywaddy, Yellow Dog. The walk consists of three steps contained within a 60-60-60 degree triangle formation with a reverse right-heel back-kick with optional can-can finale. This simple choreographed routine was varied throughout a typical gig during certain numbers, for example, "FBI."

During the 1980s, rather than playing their instruments in a static posture, during an instrumental number, or using "the Shadows' walk," their live act was further refined to include another routine stage movement effect. This featured Marvin, Welch and the bassist synchronising all their guitars in unison as a threesome to move them in time, or in sequence, with critical note or chord changes.

Occasionally, during other instrumentals, this guitars in-step presentation mode is re-engineered with Marvin and Welch acting out of sequence or alternating with each other.
[edit]Stage names

During the late 1950s in the UK many pop stars were expected to undergo a name change to a 'stage' name, (as in the case of Billy Fury or Adam Faith). Several members of the original "Cliff Richard and The Shadows" line-up changed their birth names to stage names; Harry Webb became Cliff Richard, Brian Rankin became Hank Marvin, Terrence Harris became Jet Harris, and Bruce Cripps became Bruce Welch. Subsequently the names "Cliff Richard" and "Hank Brian Marvin" were confirmed by deed poll.[11][12]

[edit]Legacy and influence

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2010)
The Shadows have been cited as a major influence on some American guitarists but also many British, Australian, Canadian and European guitarists, including Eric Clapton, David Gilmour, Tony Iommi,[13] Mark Knopfler, Neil Young, Steve Clark and Randy Bachman.

[edit]Concert tours/gigs

Main article: The Shadows concert tours» in http://en.wikipedia.org/wiki/The_Shadows



"Bridge Over Troubled Water
The Shadows

When you're weary feeling small when tears are in your eyes I will dry them all
I'm on your side oh when times get rough and friends just can't be found
Oh like a bridge over troubled water I will lay me down
Oh like a bridge over troubled water I will lay me down

When you're down and out when you're on the street
When evening falls so hard I will comfort you
I'll take your part when oh darkness comes and pain is all around
Yeah like a bridge over troubled water I will lay me down
Oh like a bridge over troubled water I will lay me down

Sail on silver girl sail on by your time has come to shine
All your dreams are on their way
See how they shine oh if you need a friend I'm sailing right out behind
Yeah like a bridge over troubled water I will ease your mind
Like a bridge over troubled water I will ease your mind"